Friday, January 16, 2015

Rocky




Rocky (1976)


Description


Rocky Balboa, a small-time boxer gets a supremely rare chance to fight the heavy-weight champion, Apollo Creed, in a bout in which he strives to go the distance for his self-respect.

Rocky Balboa is a struggling boxer trying to make the big time, working as a debt collector for a pittance. When heavyweight champion Apollo Creed visits Philadelphia, his managers want to set up an exhibition match between Creed and a struggling boxer, touting the fight as a chance for a “nobody” to become a “somebody”. The match is supposed to be easily won by Creed, but someone forgot to tell Rocky, who sees this as his only shot at the big time. Written by Murray Chapman <muzzle@cs.uq.oz.au>


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Review


One of the greatest movies of all time.
I don’t remember exactly when I first saw this film, but for a long time I thought that the second of the series was my favorite. Well, I recently bought the DVD box-set and after I watched the first movie again I knew that it was definitely the best in the series, and also one of the best movies ever made. Rocky is very much more than just a boxing movie. It’s a movie about the unbreakable human spirit, determination, and the will to "go the distance." Rocky(Sylvester Stallone) is a second rate club-fighter and a debt collector for a loan shark(Joe Spinnell). He becomes involved with a shy girl working in a petshop named Adrian(Talia Shire), and also becomes friends with her brother Paulie(Burt Young). Rocky’s life really isn’t anything of interest – until the World Heavyweight Champion Apollo Creed(Carl Weathers) gives him an unexpected shot at the title. An old boxer-turned-trainer named Mick(Burgess Meredith) offers to be Rocky’s manager. Although the whole film is outstanding, what follows are some of the greatest and most memorable movie moments of all time. Rocky striving to go the distance in the training scene, the final fight, and the closing moments of the film are so emotional and inspiring that they perfectly demonstrate the human spirit and can bring out the will to win in anybody. Add to this an excellent music score and you have a classic and unforgettable movie. Without a doubt deserved the Best Picture award in 1976. Exceptional performances by all the cast members, notably Burgess Meredith and Sylvester Stallone. **** out of ****
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Toy Story 3




Toy Story 3 (2010)


Description


The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it’s up to Woody to convince the other toys that they weren’t abandoned and to return home.

Woody, Buzz and the whole gang are back. As their owner Andy prepares to depart for college, his loyal toys find themselves in daycare where untamed tots with their sticky little fingers do not play nice. So, it’s all for one and one for all as they join Barbie’s counterpart Ken, a thespian hedgehog named Mr. Pricklepants and a pink, strawberry-scented teddy bear called Lots-o’-Huggin’ Bear to plan their great escape. Written by Walt Disney Studios


Toy Story 3. Andy is now seventeen years old and is going to college. His mother presses him to decide the fate of his toys, and Andy decides to leave them in the . The creators of the beloved ?Toy Story? films re-open the toy box and bring movie goers back to the delightful world of our favorite gang of toy characters in . Story Mode. No toy gets left behind! Play as Buzz, Woody, or Jessie as you run, ride, and fly through favorite scenes from Disney-Pixar"s Toy Story 3.What"s new in this version: Thanks for downloading Toy Story 3! In this update:Woody"s Greetings now has over 400 new names! Create even more personal greetings!Have .

Review


By delivering an amazing finale to an amazing trilogy, all we can do is bow and thank Pixar once again.
Star Wars. Indiana Jones. Fistful of Dollars. Bourne. These are all incredible trilogies that can, will, and should stand the test of time. Yes, I am neglecting the fourth Indiana Jones. Upon the mention of the third Toy Story, I was deathly afraid. Afraid because it has some major, major shoes to fill. The original is a masterpiece that changed animation forever, and the sequel is among the best in the history of film (I mean that). The first two Toy Story films are among the best movies of all-time and to this day entire animation studios have failed to duplicate an ounce of the magic contained in Toy Story. Could part 3 even come close to the original two? My friends, I am very happy to say, the answer is a resounding yes. Toy Story 3 does exactly what the first two did, delivered on all cylinders, all aspects of film-making and entertainment. The humor is back, the heart is back, the delightful cast of characters is back. This time, thanks to an incredible script, there"s more suspense, more drama, and many more surprises. Like any spectacular trilogy, it wraps up all loose ends. It literally is difficult to find any flaw or any slow moment in this movie, and even if there is, it will immediately be forgiven by the next major laugh or the next major revelation. The predictability factor in this movie is low, and the payoff to all the suspense is extremely high. Guys, this is the go-to movie of the summer, and makes up for any disappointment you have seen this year or last. Just like Toy Story 2"s subtle and underlying themes, Toy Story 3 revolves around the group of toys and their latest adventure, but dwells far deeper than that. On the surface, this movie is about the toys in a series of circumstances, winding up in a daycare center that isn"t all it seems. At the same time, Andy is heading for college, but Woody isn"t quite ready to let go of his owner and the memories that follow. The deeper aspects involve aging, growing up, and moving on. Michael Arndt, the Oscar winner that wrote Little Miss Sunshine, was behind the spectacular screenplay in this third trip in the world of toys. Then with the help of John Lasseter and Lee Unkrich (who serves as the director), we see plenty of references to Pixar, other movies, the previous Toy Story installments, and even we even see nods to the influences of the entire animation studio (Miyazaki). The writing wasn"t the only thing that was on par with the first two Toy Story movies. The voice acting cast was once again phenomenal, with popular actors, underrated talent, and great character actors filling the bill. Come on now, just read em": Tim Allen, Tom Hanks, John Cusack, Wallace Shawn, Jody Benson, Estelle Harris, Blake Clark, John Ratzenburger, Ned Beatty, Jeff Garlin, and Michael Keaton. Unlike what Dreamworks pulls off on a yearly basis, Pixar carefully chooses their voice cast in terms of pulling off the best performances, not to generate more money. Because honestly, was there even a point to Angelina Jolie voicing the tiger in Kung Fu Panda? On the other hand, very few can pull an authentic Barbie like Jody Benson (a.k.a. Ariel in the Little Mermaid). It takes reliable and authentic acting to pull at the heartstrings, and everyone definitely was on their A-game. Lee Unkrich directed this movie with incredible pacing and just as much heart and dedication as Lasseter, who was in charge of the first two. The truth is, Pixar directs the movie together, as they share ideas and suggestions amongst each other. This fact can be traced to the similar pacing and directing styles seen in Pixar"s better works like Ratatoille, Finding Nemo, and Up. They all have the similar technique of incorporating just as many tears as laughs. But unlike all the other Pixar movies (with the exception of The Incredibles), Toy Story 3 has a heave dosage of suspense and peril, which is climaxed by one of the most exciting animated sequences this side of Castle in the Sky (a Miyazaki adventure masterpiece). Other reviewers have noted this before me, but this Toy Story is quite scary in depth and in imagery at some instances, so be wary of this while watching this with the kids. With so much time invested with these toys, the drama runs a bit high. Bottom Line: Toy Story 3 secures its place in cinema brilliance by becoming the best third installment since Indiana Jones and the Last Crusade, the best sequel since Kill Bill Vol. 2, and the best movie we"ve seen this year. This movie is usually hilarious, sometimes thrilling, and sometimes downright tear-jerking. And yes, just like Up"s opening 10 minutes, there is that one major sequence in which Pixar will play with your heartstrings like Eric Clapton playing tears of Heaven. If you enjoyed the first two Toy Stories, there"s no need to worry about the third and hopefully final chapter in the quality-filled saga. How Pixar manages to deliver yet again is absolutely beyond me. Walt Disney may not be one-hundred percent proud of his company if he were alive to see it now, but he would be absolutely delighted at seeing what beautiful art Pixar has delivered ever since 1995. Pixar has re-created Walt Disney "s magical methods of storytelling and movie-making, and arguably has taken it a step even further by adding depth to the characters and depth to the overall stories presented. The direction was fantastic, the writing was Oscar-worthy, and the overall production is Best Picture caliber. This is Pixar"s best work since Finding Nemo, and a must see by any means necessary. Despite my cynical nature, there"s no way I can grade this any less than perfect. Just no way.
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Vertigo




Vertigo (1958)


Description


A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend’s wife, all the while becoming dangerously obsessed with her.

Former Police detective John “Scottie” Ferguson was asked by a friend to investigate his wife named Madeleine since he was afraid that she might attempt to kill herself due to probable insanity as she thinks that she might be possessed by a dead woman. Scottie agrees and ended up falling in love with her. Unfortunately for him, Madeleine died and he was left alone until a woman named Judy came along and things start to unfold.


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Review


Beyond Amazing
Over the years, this film has been regarded as one of Hitchcock’s masterpieces. Its been called the most personal, emotional, and complex of Hitchcock’s films. I agree with all of these things except for one, this film IS Hitchcock’s masterpiece work. All of the others pale in comparison to this. There are phenomenal performances here by Jimmy Stewart who plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film, the cinematography, the story, the depth, etc. leaves you mystified and transfixed on this dizzying, surreal artwork of a film. It truly is flawless. If you are a Hitchcock fan and haven’t seen this you need to get up right now and buy, not rent, this as soon as possible!
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Saturday, January 10, 2015

Star Wars: Episode VI - The Return of the Jedi


Star Wars: Episode VI – The Return of the Jedi (1983)


Description


After rescuing Han Solo from the palace of Jabba the Hutt, the rebels attempt to destroy the second Death Star, while Luke struggles to make Vader shake off of the dark side of the Force.


Darth Vader and the Empire are building a new, indestructible Death Star. Meanwhile, Han Solo has been imprisoned, and Luke Skywalker has sent R2-D2 and C-3PO to try and free him. Princess Leia – disguised as a bounty hunter – and Chewbacca go along as well. The final battle takes place on the moon of Endor, with its natural inhabitants, the Ewoks, lending a hand to the Rebels. Will Darth Vader and the Dark Side overcome the Rebels and take over the universe? Written by Colin Tinto <cst@imdb.com>


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Review


A touching end

I’m sick of people whining about Ewoks! True, they’re not the best thing that ever happened to Star Wars, but they DID happen, so deal with it! Besides, they ARE cute, and I don’t care if they’re marketable. Yubb Nubb! This movie always leaves me in tears. It’s perfect. The end could not be better. I’m excited for The Phantom Menace because it will suddenly throw the focus of the whole story from Luke to Anakin. I love how he is revealed at the end – it would be too unresolved any other way. So those of you who are complaining that Vader’s helmet was removed, take a moment to think about it. It’s very effective. Vader, the man who hid behind a mask for 20 years, is finally revealed as a sick-looking man. He is not entirely machine – he’s vulnerable. I don’t know how the casting director happened to pick such good actors in A New Hope. They all do so well. They are believable characters. Hamill does an excellent job with his dramatic character development. Fisher does a fine job being a female role model (I mean, come on! She killed Jabba even when so many others had failed!). Harrison Ford – need I say more? The music is once again brilliant. It’s so very touching and significant when you can pick out character themes at different parts of the movie. The best climax is when Luke shouts “NOOO!” and jumps out to fight his father in the Final Battle. John Williams is nothing short of a genius! What an amazing man! Already, the movie has so much more meaning for me because of Episode I. I can’t wait to finally see it in the theatres (CAN I WAIT???) and then watch the original trilogy yet again. Bravo!
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Grave of the Fireflies


Grave of the Fireflies (1988)


Description


A tragic film covering a young boy and his little sister’s struggle to survive in Japan during World War II.


Setsuko and Seita are brother and sister living in wartime Japan. After their mother is killed in an air raid they find a temporary home with relatives. Having quarreled with their aunt they leave the city and make their home in an abandoned shelter. While their soldier father’s destiny is unknown, the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything is in short supply, they gradually succumb to hunger and their only entertainment is the light of the fireflies. Written by Corrected by Liron


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Review


Haunting

I was warned this movie would be emotional, but I had no idea just how understated that was. By the end, my friend and I were huddled together, pouring out tears I’ve never shed for any movie before. It was a mix of horror, empathy, sadness, and so many more emotions I can’t even begin to list. Visions of this film have haunted me since first watching it, and I would find it hard to watch again, simply from it being so heart-wrenching. Only one movie has ever hit me hard enough to keep me from subjecting myself to it’s strong emotions again (The thief, the cook, his wife and her lover). I strongly urge all to watch this, as it rises well about any films I’ve seen, anime or not.
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Amélie




Amélie (2001)


Description


Amelie, an innocent and naive girl in Paris, with her own sense of justice, decides to help those around her and along the way, discovers love.

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father’s mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective – she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the “ghost”, a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades – she finds out that she is disregarding her own life and damaging her quest for love. Amélie then … Written by spragg_s


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Review


This is rated so highly cause it deserves it
A slice of heaven right here on earth, "Amelie" is a joy to behold, and has some of the most gorgeous cinematography I’ve ever seen in a movie. Audrey Tatou is perfection as the title character. A combination of Audrey Hepburn, Dolly Levi and Roger Rabbit, she involves herself in the world surrounding her as a means of really enjoying living. There are moments when she finds complete and total joy just walking down the street. Some of it is hilarious, too..like when her pet goldfish habitually tries to commit suicide, or when she is on the telephone with the man at the porno shop, or when a character is asked "Are you a congenital shmuck"? But for the most part, its a human comedy, about love, of course. Just beautiful. 10/10.
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Yip Man




Yip Man (2008)


Description


A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun.

In 1935 in Foshan, south China, there are martial arts schools on every street corner. Ip Man is the undisputed martial arts champion, yet he has not devoted himself to teaching. Despite this, it seems that all the kung fu masters of the city are eager to fight him to improve their reputation. Written by Riccardo Amadori


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Review


"Wing Chun, Ip Man."– Donnie Yen.
No wonder Ip Chun (Ip Man"s son, consultant to this movie) was so pleased– from the twinkle in his eyes to the lifting of his feet, Donnie Yen inhabits this movie like he is possessed by Ip Man. And as Ip Man himself explains early in the movie: "the key is the person." Revolving around the central (true) event of Ip Man rejecting the Japanese"s "request" to train their soldiers when they occupied China and eventually sparring with them, this is essentially a genre movie built around the martial arts set-piece (Wing Chun vs Karate, see the trailer) "exploding" mid-way through. And what a movie they have built up around their central show-piece! Taking on the common martial arts/Kung Fu Movie theme of "what can one martial artist do against a turbulent world/time?" (one of the movie"s promotional tag-lines), the story "hook" is not whether Ip Man will win– but rather when he will be forced to fight and what would happen when he does. And the notable level of acting, scripting, production, etc. –highlighting not only Ip Man but also the plight of his family, friends and townsmen– really ramps up the drama and "heart" for audiences who might not care for the genre. One evidence for this is how "Ip Man" garnered 12 nominations for the 2009 HK Film Awards in both the acting/directing and technical categories– though it really stands out as a killer Kung-Fu Film, and consequently won for Best Action Director and Best Film. In short, "Ip Man" is quite a good ("mainstream") movie– but a great martial arts/Kung Fu (not "action", as Donnie Yen points out during interviews) movie. And some telling numbers explain why: There are around 12 fights or so (depending on how you count them) evenly spaced throughout the film, with Donnie Yen in almost half of them– with 3 or so weapon fights (not counting guns) and 5 or so group fights (anything with more than 2 people)– which is why this is a martial arts movie, and not an "action" movie (no explosions, chases, shoot-outs, etc.). The shortest fight takes about 10 seconds and his longest runs around 2 minutes– which gels with Donnie Yen"s belief that real people fight to win and don"t "pose, talk, fight, run, and… pose, talk, fight, run and…". Together with the miscellaneous violence (guns, etc.), the audience is virtually given an "adrenaline shot" every 5 minutes or so to give audiences something to laugh, cry or even cheer about. Of course, it also inspired in me a new-found respect for Wing Chun (Ip Man"s school of martial arts)– as well as action director Sammo Hung"s "tight" choreography and camera-work (in China/HK, action directors control the camera as well as direct the actors). The close-to-mid range shots make it easier to "catch" the stunt doubles… but just like everything else in the movie– blink and you"ll miss it! For much like Wing Chun, everything in this movie get to the point quickly– so that at over 100 minutes, the movie feels much too short…. But thank you, Wilson Yip (the director), for respecting the audience and not belaboring the "message"– for a movie that is basically a war/ nationalist melodrama, it manages to unfold as elegantly as Ip Man"s character (& Donnie Yen"s acting). But for those who care about the "downside": this movie is only loosely "based on" Ip Man"s life– in that the earlier parts is a dramatization of various accounts, the middle section is highly exaggerated (1-to-1 vs many-to-1 sparring), and the end is completely fictional (read: lead to an end-fight). And as a "World War II side-story" about a simple people in a small place (Foshan, China), there are only a few lines of text and transitional scenes depicting the Japanese invasion/occupation of Foshan (the director didn"t have the budget to show how Foshan lost 3/4 of its population)– though it manages to be quite effective, especially for those already familiar with the history. But those craving more creativity, complexity or completeness in this movie will be disappointed– especially by the rather haphazard way the movie "wraps up" Ip Man"s life at the end (when it wasn"t certain whether/how a sequel would be made). Whatever the quibble, "Ip Man" heralds a break-though in realism for "grounded" martial arts/ Wushu movies; the way "Crouching Tiger, Hidden Dragon" heralded a break-through in surrealism for "floating" martial arts/Wuxia movies. It is clearly made for fans of Wing Chun and Kung Fu Movies– and it makes no apologies for that (thank goodness for no "foreign" investors– though it means that this movie is unlikely to get foreign distribution).
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