Monday, December 29, 2014

Snatch.


Snatch. (2000)


Description


Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers, and supposedly Jewish jewelers fight to track down a priceless stolen diamond.


Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets badly beaten by Pitt, a ‘pikey’ ( slang for an Irish Gypsy)- who comes into the equation after Turkish, an unlicensed boxing promoter wants to buy a caravan off the Irish Gypsies. They then try to convince Pitt not only to fight for them, but to lose for them too. Whilst all this is going on, a huge diamond heist takes place, and a fistful of motley characters enter the story, including ‘Cousin Avi’, ‘Boris The Blade’, ‘Franky Four Fingers’ and ‘Bullet Tooth Tony’. Things go from bad to worse as it all becomes about the money, the guns, and the damned dog! Written by Filmtwob <webmaster@filmfreak.co.za>


Snatch.. Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer . Download Snatch. (2000) Movie Full HD, DivX, DVD Summary movie – Snatch. (2000) Turkish and his close friend/accomplice Tommy get pulled into the world of match . Download Snatch[2000]DvDrip[Eng]-Xombie torrent or any other torrent from the Video Movies. Direct download via magnet link.To listen Snatch music just click Play To download Snatch mp3 for free: 1. Right Click -> Save Link As (Save Target As) 2. Change filename to Snatch.mp3 3.— SNATCH. — Download this movie Genre: Comedy Produced in: UK 2000 Plot summary: Turkish and his close friend/accomplice Tommy get pulled into the world of match .


Review


A movie that has it all

A film about boxing, diamonds, gangsters pretending to be Jews, a fat getaway driver, a rather vicious dog and man eating pigs. Guy Richie has followed the success of Lock, Stock with an equally stunning and ambitious return just as Tarantino did with Pulp Fiction. The characters are so colourful they jump right off the screen, the dialogue so snappy you want to learn it by heart and the acting simply wonderful. Vinnie Jones reveals he can act and Brad Pitt shows that he is far more than a pretty face and could well win a best supporting actor oscar for his role as Irish Mickey. See this movie!!!!
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La Haine


La Haine (1995)


Description


After local youth Abdel is beaten unconscious by police, a riot ensues on his estate during which a policeman loses his gun. The gun is found by Vinz who threatens he will kill a cop if Abdel dies.


The film follows three young men and their time spent in the French suburban “ghetto,” over a span of twenty-four hours. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. During the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody. Written by b4arr2y


La haine. The film follows three young men and their time spent in the French suburban ghetto, over a span of twenty-four hours. Vinz, a Jew, Saïd, an Arab, and . Download La Haine torrent or any other torrent from the Video Movies. Direct download via magnet link.la haine torrent download on TorrentR.eu search – OST Romeo et Juliette de la Haine l Amour 2001, Nienawi La Haine 1995 DVDRip XviD AC3 Zryty TB Lektor PL Ekipa TnT . Download La.Haine.French.Dutch.and.English.Subs.Dvdrip.1995-PrinzNL torrent or any other torrent from the Video Movies. Direct download via magnet link.How do I watch La Haine online without registration? If you are new to watching movies online on TwoMovies, this guide will certainly help you.


Review


how can you sum up a film this beautiful & slick

I first saw this film in 1997, after seeing and reading reviews about it on tv and the net for a couple of years. I never thought a film could actually make you truly think about things around our world, not just how bad it can be in places like the projects set in the film. I could truly see this happening where I am from(Rochdale,Manchester,UK). The situation set in the film is a dark and nasty one. you watch 3 friends fall apart from the aftermath of a riot in a parisian project.a friend is near-fatally injured in police custody, which sparks a chain of events, part forced onto the 3 friends, part of self-inflicted. the acting is amazing. Vincent Cassel’s performance is electrifying. his mentality is distorted with hate(hence the film name), but you truly feel he is not a bad seed. His problem is he can’t see the wood for the trees, which Hubert tries to point out to him. Hubert is a character who has the potential to better his life, but he is trapped in his parisian project cell. he tries to guide vinz to a healthier and more productive way of thinking about life. said seems to be the one who doesn’t want trouble, but it is thrust upon him. he sees the relationship between hubert and vinz, his 2 best friend, deteriorate, but doesn’t know who to side with, or what to do about it. Mathieu Kassovitz made this film in a way that you feel for both the police and the the 3 friends. It is amazing to watch, as mathieu takes the simplest things, and makes them look classy(check out the DJ scene for a true example of what I mean). he uses black and white as to colour, and it doesn’t look fake, or cheesy. in fact it enhances the film more than you could imagine. you won’t sit there and wish he filmed it in colour by the end. the action, although relatively mild compared to todays film, is believable. speaking about the end, it is one of the most simplest and powerful endings I have seen in a film yet. the soundtrack is awesome too. who would have thought french hip-hop would sound so sweet.
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L.A. Confidential


L.A. Confidential (1997)


Description


As corruption grows in 1950s LA, three policemen – one strait-laced, one brutal, and one sleazy – investigate a series of murders with their own brand of justice.


1950’s Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by Greg Bole <bole@life.bio.sunysb.edu>


L.A. Confidential. 1950’s Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are . To listen L A Confidential music just click Play To download L A Confidential mp3 for free: 1. Right Click -> Save Link As (Save Target As) 2.Download L.A. Confidential full movie for free without sign up. Movie stars Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, Kim Basinger.Download “L.A. Confidential” Movie Divx/Hd/Full HD. Movie Title :L.A. Confidential. 1950’s Los Angeles is the seedy backdrop for this intricate noirish tale of police . L.A. Confidential is an uneven film, but does succeed on many other levels. The first 20 minutes of the film are very strong, you’ll be thinking your in for a good ride.


Review


On of the best movies of the past 20 years.

L.A. Confidential most likely falls into the category of one of the best movies of the past twenty years. The complex story line seemed to burst at the seams with intelligence. I found the complexity of several different sub-plots working together challenged the intellectual part of my brain while the intense action through out the entire movie satisfied the craving of the not-so-intellectual part of my brain that enjoys seeing a good brawl followed by a good shoot-out. Brian Helgeland and Curtis Hanson did and excellent job of combining many elements of several different kinds of films into one. They seem to have made this movie with several different audiences in mind. I for one, as I have mentioned, enjoyed the intellectual aspect as well as the action, while my wife enjoyed the combination of a love story with drama. It really has something for everyone. Bringing together all of these elements into one film sets it apart from many others. Of course the best aspect of L.A. Confidential is the way that not everything is as it seems, and then, in an instant, all of the plots are sprung like a trap and come together for a grand finale. Overall L.A. Confidential is an exceptional film that contains something for everyone.
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Rashômon


Rashômon (1950)


Description


A heinous crime and its aftermath are recalled from differing points of view.


A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story – that Tajômaru kidnapped and bound the samurai so that he could rape the wife – but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he … Written by Huggo


Download this video using save2pc. Place your ad here Loading. Comments (3) . Rashômon (1950) “In ancient Japan, a woman is raped and her husband killed.Rashômon. In 12th century Japan, a samurai and his wife are attacked by the notorious bandit Tajomaru, and the samurai ends up dead. Tajomaru is captured shortly . Rashomon – Akira Kurosawa Classic (1950) – B&W – 88 min LikeTelevision’s movie channel is proud to present – Rashomon, a tale about a murder and rape – and a look at . To listen Rashomon Rashomon music just click Play To download Rashomon Rashomon mp3 for free: 1. Right Click -> Save Link As (Save Target As) 2. Change filename to . Rashomon Full Rashomon Download 2197 kb/s Rashomon 2386 kb/s Direct Rashomon Download 1222 kb/s. Age: 1d | 3d | 7d | 1m Safety & Quality: any | good | verified. 48 .


Review


A brilliant masterpiece from a masterful director

“Rashomon” was Akira Kurosawa’s first national hit (becoming, at the time, the highest-grossing foreign film in America) and even gained an Oscar for Best Foreign Film, but almost sixty years later it still hasn’t lost any of its impact. It is widely revered as one of the most influential films of all-time, but unlike some other movies, it is not a film that feels dated. The revolutionary methods of Kurosawa are still effective and on-par with the cinema of today — this isn’t a movie where you say, “Yeah, fifty years ago it might have been different, but now it’s done in all the movies.” Kurosawa’s techniques are still superior to most of his imitators. Look at the 2003 John McTiernan film, “Basic,” which copies a good portion of “Rashomon’s” concept. Which is the better film? It’s not a hard choice. The film begins under a structure which reads “Rashomon” on its exterior, in a small Japanese village. It’s raining outside and a woodcutter (Takashi Shumura) and a priest (Minoru Chiaki) inadvertently find themselves in the company of a wandering commoner (Kichijiro Ueda), and as he asks them what is the matter they both begin to relay the most horrific story they claim to know — of a brutal murder a few days prior. Kurosawa then switches to flashback and we see three different versions of the exact same event — the slaying of an innocent man (the murderer played by Kurosawa film regular Toshirô Mifune) in the woods outside the village. Was it because of lust? Betrayal? Envy? Or insanity? We hear from the murderer, the wife of the victim, and a woman channeling the spirit of the dead man. “Rashomon” is brilliant. Some people have complained that the ending is a cop-out and sentimental hogwash, but I think Kurosawa was fond of sentimentality to a point (he uses a good deal of it in “Ikiru”) but the difference between what he does with sentimentality as opposed to many filmmakers of today is that he uses to to ENRICH the story, not provide an easy solution to all the problems. Is there resolution in the finale of “Rashomon”? To a degree. But, like “Ikiru,” it also leaves an open answer to its audience — this film questions us, and our humanity, and it says something about the human condition and our weaknesses as a species. Yet it also proposes that along with the evil is an inherent good, and in my opinion the message of “Rashomon” is just as important and effective as its film-making techniques and acting.
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All About Eve


All About Eve (1950)


Description


An ingenue insinuates herself in to the company of an established but aging stage actress and her circle of theater friends.


Aspiring actress Eve Harrington maneuvers her way into the lives of Broadway star Margo Channing, playwright Lloyd Richards and director Bill Sampson. This classic story of ambition and betrayal has become part of American folklore. Bette Davis claims to have based her character on the persona of film actress Talullah Bankhead. Davis’ line “Fasten your seatbelts, it’s going to be a bumpy night” is legendary, but, in fact, all of the film’s dialog sparkles with equal brilliance. Written by Jeanne Baker <jbaker@erim.org>


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Review


A masterpiece of old-style theatre back-stabbing with a cherished, hand-picked cast.

THE definitive saga of backstage brouhaha ever dished out by Hollywood. A triumph of screen-writing, never will one see such ripe, acrid dialogue spewed out like this again — every indelible scene gloriously stained with classic one-liners. An actress wanna-be looking for her big break carefully worms her way into the glamorous life of a legendary Broadway star, then tries to supplant her privately and professionally. A sterling, incandescent cast provides the fire and music to this concerto of theatre attitude. Bette Davis knew she was handed a dream role when she was cast as Margo Channing, the indomitable diva caught up in the throes of mid-life crisis both on- and off-stage. Not willing at all to deal with it tactfully, she makes life a living hell for anyone within knife-throwing distance. This juicy, once-in-a-lifetime part turned Davis’ own flagging middle-aged career back on its feet, especially coming on the heels of one of her biggest “dumps” ever, “Beyond the Forest.” Remarkable as it may seem, Bette was not the first choice here, replacing an injured Claudette Colbert. With all due respect to Colbert, Bette Davis was BORN to play Margo Channing. A mauling lioness one minute, a coy, declawed pussycat the next, Davis relishes every wickedly bitchy scene she gets to tear into. Yet in her more introspective moments, she evokes real sympathy for Margo (as only a true star can) especially when her character missteps. It’s a resounding victory for the Queen Bee in every way, shape and form. Her “supporting cast” also manage to create a buzz of excitement. Gary Merrill and Hugh Marlowe, known for their relative blandness, are splendid here in their respective roles as queen bee’s lover and playwright. While Merrill’s Bill Sampson tames Margo the woman with gutsy directness and virile passion, Marlowe’s Lloyd Richards appeases Margo the star with flattery, great dialogue and a calm resolve. Worth watching, then, are their fireworks scenes with Margo when intelligence and restraint no longer work. Debonair George Sanders gives customary snob appeal and dry cynicism to his waspish, ultimately loathsome columnist Addison DeWitt, who swarms around Broadway’s elite knowledgeable in the fact his lack of heart and poison pen yield exclusive rights and power. The most sensitive and sensible one in the collective bunch, the one lacking a true stinger, is Karen Richards (played wonderfully by Celeste Holm), Margo’s best friend and confidante, who finds herself caught between the queen and a hard place when she accidentally makes a pact with the devil. Thelma Ritter couldn’t be overlooked if she tried. An inveterate scene-stealer, she weathers strong competition this time in a movie crammed with clever conversation and pungent zingers. As coarse but well-meaning Birdie Coonan, a brash ex-vaudevillian now the queen’s ever-loyal “drone”, Ritter’s character properly handles her boss’s antics with amusing grit and backbone. On the periphery of this Broadway beehive is mop-faced Gregory Ratoff as an edgy, gullible, thick-accented producer, Marilyn Monroe as a hopelessly vacuous starlet, and Barbara Bates, as a novice schemer with a very bright future, all making their few scenes count — especially Bates, who is forever enshrined in the film’s stunning final shot. The chief thorn in Margo’s (and everybody’s) side, and the other real star of this picture, is the queen’s titular lady-in-waiting, Eve Harrington. As played by Anne Baxter, this role is probably the most delicate and difficult of all for the weight and believability of this drama falls squarely on her shoulders. Unfairly overlooked all these years by the flashier posturings of Davis, Baxter does a beautiful job of drawing initial pathos then panic as she slowly unveils her own lethal stinger. By film’s end, Baxter is directly on par with her scenery-chewing co-star. Killer to killer. Champion to champion. Six Oscars including Best Picture, Best Director (Joseph L. Mankiewicz), Best Screenplay (also Mankiewicz) and Supporting Actor (George Sanders) went to this cinematic bon mot. Had Bette Davis and Anne Baxter not competed as Best Actress (Baxter refused to place herself in the Supporting Actress category), it would have drummed up two more awards to be sure. Developing a faithful cult following over the years, this film deserves to be on everybody’s “top ten” list.
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The Great Dictator




The Great Dictator (1940)


Description


Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel’s regime.

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator … Written by Huggo


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Review


We think too much and feel too little.
I was surprised and impressed to find out this movie was released in 1940, before the United States entered World War II. On the surface, satirizing something as solemn and horrible as Nazi Germany could be misconstrued as rash. But Chaplin’s brilliance isn’t limited to making a joke out of everything. In fact, the seriousness of his message wouldn’t have been nearly as valid if not for the excellent use of humor in this movie along with the moments of stark drama blended in. Drama alone wouldn’t have had the bite and resonance that this film did. Laughing at someone (Adenoid Hynkel) can be the best way to attack them, while laughing with someone (the Jewish Barber) can be the best way to love them. In the Jewish Barber’s final speech, I forgot for a moment that the war he was talking about happened more than half a century ago. They are words that have meaning now, and in any time of war. For this reason I believe the film did far greater good than harm, as it still has the same profound effect today.
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The Battle of Algiers


The Battle of Algiers (1966)


Description


In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.


A film commissioned by the Algerian government that shows the Algerian revolution from both sides. The French foreign legion has left Vietnam in defeat and has something to prove. The Algerians are seeking independence. The two clash. The torture used by the French is contrasted with the Algerian’s use of bombs in soda shops. A look at war as a nasty thing that harms and sullies everyone who participates in it. Written by John Vogel <jlvogel@comcast.net>


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Review


A savage war of peace.

An historian writing about the Algerian war against the French colonial authorities entitled his book “A Savage War of Peace”. “The Battle of Algiers” provides many answers to that enigmatic title. It does not attempt to show us the entire war but centers on the city of Algiers. Even though you are told at the beginning that no documentary footage is used it is at times hard to believe as many of the images you see have a stark and often unsettling reality to them. Considering that this was a co production between Algeria and Italy the film is remarkable in that it does not turn itself a political tirade by taking sides. Instead the camera is a sort of neutral observer allowing us to witness events that spiraled from individual demonstrations to a full scale war of savage intensity. French officers who fought the Nazis a few years before degenerated into the mode of their former enemy while Algerians had no problems exploding bombs that would kill their own people. The camera shows no heros or villains but humanity in its darkest forms. This is a powerful film with superb direction and cinematography. It truly is one of a kind and once seen will never be forgotten.
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